Japan’s leading fashion lady Hanae Mori died Thursday (August 11th) at her Tokyo home at the age of 96, the Kyodo news agency reported Thursday (August 18th). She was the first Asian designer to enter the seraglio of Parisian haute couture, with a style that elegantly blends East and West.
Nicknamed “Madame Butterfly” because of her favorite motif, the butterfly, she has dressed personalities from all over the world, from Grace Kelly to Hillary Clinton, via Masako, who became Empress of Japan in 2019.
As the rare boss of a big business in the Archipelago, Hanae Mori was also a pioneer in the emancipation of women in her country.
The designer stressed the need to pass on to younger generations “the importance of craftsmanship”believing that the “Human capabilities are disappearing in this age of computing”. “When human beings work with their hands, their creative abilities are amplified”she said in 2006.
Born on January 8, 1926 in a rural area in western Japan, she first studied literature at Tokyo Women’s Christian University. But she then decided to move into fashion after her marriage to Ken Mori, an executive in the textile industry.
The click with Coco Chanel
At the age of 25, in resurgent post-war Tokyo, she opened her first store, opposite a cinema. A chance: on leaving a session, a Japanese director spots his original creations and offers him to make costumes for his next film.
Hanae Mori will subsequently make outfits for hundreds of films, including some by great directors, such as Yasujiro Ozu and Nagisa Oshima. Her business prospered, but in the early 1960s, when the advent of television sounded the end of the golden age of cinema, she decided to look further.
Hanae Mori then travels to New York and Paris, seeking inspiration by exploring department stores and haute couture boutiques like a simple customer. In Paris, she goes to the dressing room of Coco Chanel who, after having quickly studied her client who has come from ” Country of the rising sun “suggests a bright orange ensemble, to contrast with her jet black hair.
Leaving her perplexed at the time, this advice from Coco Chanel would later act as a revelation for Hanae Mori: “The whole Japanese concept of beauty is based on concealment. I suddenly understood that I had to change my approach and make clothes that help women stand out”she will say later.
Taste for tradition
In 1965, she presented her first collection abroad, in New York, on the theme of the encounter between East and West. While adding a Western touch, the traditional aesthetic codes of Japan play a big role in his creations, with patterns inspired by those of kimonos: cherry blossoms, birds and many butterflies, distant reminiscence of lepidoptera dancing above. fields of his childhood.
Having moved her studio to Paris, she gained recognition by becoming, in 1977, a member of the very exclusive Chambre Syndicale de la Haute Couture Parisienne, a first for an Asian designer.
Hanae Mori loved to emphasize her side ” traditional “ compared to other more avant-garde Japanese designers, according to her, such as Issey Miyake (died August 5, aged 84), Yohji Yamamoto and Rei Kawakubo.
Its activities gradually extended to ready-to-wear and perfumery. However, due to growing financial difficulties, his business empire was eventually dismantled and sold off in the early 2000s.
Hanae Mori held her last Paris fashion show in 2004, aged 78. Boutiques bearing his name still exist in Japan and his perfumes are sold all over the world. During her career, she had also designed uniforms, notably for Japan Airlines stewardesses, as well as costumes for theater and opera, including – inevitably – Lady Butterflyin 1985, at La Scala in Milan.